First posted March 10, 2008
Passiflora alata
In England the Victorians loved it and then fell out of love with it. Now it is making a comeback possibly due to the fruits’ popularity in modern gourmet cooking.
There are many varieties and some are edible. Of the edible kind there are two big groups, the one with the dark skin one and the one with the yellow skin.
The plant itself, from the stem to the leaves and the flowers, have been used by South American natives for various medicinal purposes, none currently approved by the F.D.A.
The fruit has some of the most concentrated fragrance of any fruit species. The charm is in its acidity which enhances the intense flavour and natural sweetness. With fine vanilla ice-cream it is a delight. It can be used as a topping for many desserts and famously for Pavlova. It is made into soft drinks and is often used in tropical cocktails. The golden variety is best eaten fresh and the dark skin ones can be left to mature as the flavour intensifies further.
The other passion of course is Bach’s St Matthew’s Passion, appropriate for this time of the year. The biologist Lewis Thomas when asked what message he would send to aliens famously said: “……Bach, all of Bach……”. Richard Dawkins picked it as one of his eight desert island discs. Now you know.
On the Easter music note, it is perhaps appropriate to mention Mahler’s Second Symphony: The Resurrection. The text of the music made no biblical reference and it was Mahler’s very personal view of life and his life was full of tragedies and suffering, with the premature deaths of his siblings and daughter, and his own heart disease. There has not been a greater composer to emerge since his death.
Also:
The Guardian:
Why we are shutting children out of classical music.
April 2, 2009 Tom ServiceTom Service is a 33-year-old classical music critic. For 25 years of concert-going he found himself to be amongst the youngest in the audience.
But there is something else that is strange:
“I've noticed that bus and train stations now pipe canned classical music, day-in, day-out, through their speakers as a way of stopping young people hanging around. So toxic have the associations become, that this experiment actually works: there is evidence that playing Beethoven and Mahler has reduced antisocial behaviour on the transport network.”
He went on:
“An entire generation, aged between 10 and 30, seems radically disenfranchised from classical music. How, and when, did this happen?”
Then in Finland:
“A couple of years ago, I saw a class of seven-year-olds in Helsinki enthusiastically learning Finnish and maths by performing sophisticated little songs with astonishing tuning and rhythm. And this wasn't a music school - just a typical Finnish state primary. Finland only developed its curriculum in the postwar period, but it works: today, the Finns are classical music world-beaters, and their education system has produced more great instrumentalists, conductors and composers per capita than any other country on earth.”
Esa-Pekka Salonen is of course the Principal Conductor of the Los Angeles Philharmonic Orchestra and Finland’s most famous music export in recent times.
I was at a concert recently and a large numbers of players in the orchestra were Koreans. Well apart from steel and TV and cars, the Koreans are now into golf and music in a big way. The LPGA is certainly dominated by Koreans. Could it be that music gave them the edge in golf as well, not just the chopsticks?
Tom again:
“Here is a ready-made answer to the problems of renewing classical music's role in society. Make them statutory requirements for every local authority, and give them the responsibility for rebuilding the network of classical musical possibility that used to resound throughout the country.”
And perhaps throw in golf for good measure.
It was in 1990 that American troops played deafening pop and heavy metal music day and night outside the Vatican Mission to Panama City that Noriega surrendered.
In future, this strategy might have to be changed, Beethoven, Mahler and God forbid even Bach.
Tom Service’s last words:
“We've already lost one generation - we can't afford to lose another.”
Why we are shutting children out of classical music.
April 2, 2009 Tom ServiceTom Service is a 33-year-old classical music critic. For 25 years of concert-going he found himself to be amongst the youngest in the audience.
But there is something else that is strange:
“I've noticed that bus and train stations now pipe canned classical music, day-in, day-out, through their speakers as a way of stopping young people hanging around. So toxic have the associations become, that this experiment actually works: there is evidence that playing Beethoven and Mahler has reduced antisocial behaviour on the transport network.”
He went on:
“An entire generation, aged between 10 and 30, seems radically disenfranchised from classical music. How, and when, did this happen?”
Then in Finland:
“A couple of years ago, I saw a class of seven-year-olds in Helsinki enthusiastically learning Finnish and maths by performing sophisticated little songs with astonishing tuning and rhythm. And this wasn't a music school - just a typical Finnish state primary. Finland only developed its curriculum in the postwar period, but it works: today, the Finns are classical music world-beaters, and their education system has produced more great instrumentalists, conductors and composers per capita than any other country on earth.”
Esa-Pekka Salonen is of course the Principal Conductor of the Los Angeles Philharmonic Orchestra and Finland’s most famous music export in recent times.
I was at a concert recently and a large numbers of players in the orchestra were Koreans. Well apart from steel and TV and cars, the Koreans are now into golf and music in a big way. The LPGA is certainly dominated by Koreans. Could it be that music gave them the edge in golf as well, not just the chopsticks?
Tom again:
“Here is a ready-made answer to the problems of renewing classical music's role in society. Make them statutory requirements for every local authority, and give them the responsibility for rebuilding the network of classical musical possibility that used to resound throughout the country.”
And perhaps throw in golf for good measure.
It was in 1990 that American troops played deafening pop and heavy metal music day and night outside the Vatican Mission to Panama City that Noriega surrendered.
In future, this strategy might have to be changed, Beethoven, Mahler and God forbid even Bach.
Tom Service’s last words:
“We've already lost one generation - we can't afford to lose another.”
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